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As evidenced by his provocative 2016 feature debut Rat Film, Theo Anthony sees the nonfiction cinematic form as an opportunity for forensic exploration and an essayistic zeroing in on the entrenched biases that lie beneath our contemporary social and technological realities. His new film is a breakthrough, using the increased regularity of body cams in U.S. law enforcement as the anchor point for an ever-expanding treatise on perception, power, and policing, and how these ideologies stem from legacies of racial profiling that in part define the makeup of the Western world. Anthony’s compelling film eschews “ripped-from-the-headlines” issue-oriented documentary filmmaking for a burrowing, intellectual curiosity, interrogating subjectivity itself and reminding the viewer that the camera, with the ingrained perceptual biases of those who wield it, can be the deadliest weapon of all. A Super Ltd Release